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Last updated on 16 May 2011.

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The British Book Trade Index on the Web: A project funded by the Arts and Humanities Research Board. Thanks to an award from the Arts and Humanities Research Board, the British Book Trade Index has recently moved to the University of Birmingham for development as a Web-based research resource. The BBTI is a computerized database (currently containing around eighty thousand records) which aims to include brief biographical and trade details of all those who worked in the English and Welsh book trades before 1852. It includes not only printers, publishers and booksellers but also stationers, papermakers, engravers, auctioneers, ink-makers and sellers of medicines, so that the book trade can be studied in the context of allied trades.

BBTI began in 1983, under the direction of Professor Peter Isaac, with support from the University of Newcastle upon Tyne and the Sir James Knott Charitable Trust. Support was later received from the British Academy and the Leverhulme Trust. BBTI data have been derived from a range of published sources, both printed and electronic, and from forms submitted by the many scholars and local researchers who have generously contributed their findings. [Principal printed sources from which records have been derived include: the Dictionaries of the Printers and Booksellers who were at work in England, Scotland and Ireland 1557-1775 (Bibliographical Society, 1907-1932); Ramsden's Bookbinders of the United Kingdom (outside London) 1780-1840 (Batsford, 1954) and Todd's A Directory of Printers and others in Allied Trades: London and vicinity 1800-1840 (Printing Historical Society, 1972).] Electronic data have been generously supplied by the British Library from the Eighteenth-Century Short-Title Catalogue and by Michael Turner from his records of Stationers.

The potential of BBTI as a research tool is indicated by the willingness with which scholars have contributed records over almost twenty years. A grant of £175,000 from the AHRB's Resource Enhancement Scheme will fund three years of development work, including the transfer of the existing database to the Web, the addition of many more thousands of new records, and several research projects using the BBTI database, including a study of book-trade networks in the Midlands. The longer-term future of the BBTI is guaranteed by the commitment of the University of Birmingham and by the project's close liaison with the Arts and Humanities Data Service.

The research strength of the University of Birmingham's English Department in the history of the book and the transmission of texts makes it an ideal home for the BBTI. The project, directed by Maureen Bell and with Peter Isaac chairing the Management Group, will form the hub of a research group (staff, postgraduates and postdoctoral researchers) working on aspects of book history. John Hinks, who has joined the Department as the BBTI Research Fellow, has recently completed doctoral work on the history of the book trade in Leicester and is already familiar with BBTI in its present form, both as a user and contributor of data. Under his editorial guidance, the Web version of the BBTI will become the centrepiece of a new Birmingham Web-portal for the exchange and dissemination of research information concerning book-trade history.

The BBTI website is http://www.bbti.bham.ac.uk.

Contact for further information: John Hinks, Department of English, University of Birmingham, Edgbaston, Birmingham B15 2TT (e-mail: J.Hinks@bham.ac.uk) (10/6/02)

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Announcement about the SVEC (formerly Studies on Voltaire and the Eighteenth Century), the Voltaire Foundation's major academic series. Founded by Theodore Besterman in 1955, the series has published over 450 volumes of major research in eighteenth-century studies. The Editorial Board includes scholars with specialisms in many different areas of literary studies, history, philosophy and the history of art, and the General Editor welcomes submissions on any aspects of the Enlightenment, whatever the discipline or critical approach. Publications in SVEC have in the past had a particular focus on France, but we are also keen to promote studies that reflect the much broader network of exchange that characterised the Enlightenment. Recent volumes include Thierry Rigogne, Between state and market: printing and bookselling in eighteenth-century France (May 2007), ISBN 978-0-72940-907-0; David Adams, Book illustration, taxes and propaganda: the Fermiers généraux edition of La Fontaine's 'Contes et nouvelles en vers' of 1762 (November 2006), ISBN 978-0-72940-883-7; Robert L. Dawson, Confiscation at customs: banned books and the French booktrade during the last years of the Ancien régime (July 2006), ISBN 978-0-72940-770-0. (24/2/08)

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Material Readings in Early Modern Culture. Announcing a new series from Ashgate Publishing Company: Material Readings in Early Modern Culture. Series Editors: James Daybell, University of Plymouth; and Adam Smyth, Birkbeck College, University of London. This series provides a forum for studies that consider the material forms of texts as part of an investigation into early modern culture. The editors invite proposals of a multi- or inter-disciplinary nature, and particularly welcome proposals that combine archival research with an attention to the theoretical models that might illuminate the reading, writing, and making of texts, as well as projects that take innovative approaches to the study of material texts, both in terms the kinds of primary materials under investigation, and in terms of methodologies. What are the questions that have yet be to asked about writing in its various possible embodied forms? Are there varieties of materiality that are critically neglected? How does form mediate and negotiate content? In what ways do the physical features of texts inform how they are read, interpreted and situated? Consideration will be given to both monographs and collections of essays. The range of topics covered in this series includes, but is not limited to: History of the book, publishing, the book trade, printing, typography (layout, type, typeface, blank/white space, paratextual apparatus); Technologies of the written word: ink, paper, watermarks, pens, presses; Surprising or neglected material forms of writing; Print culture; Manuscript studies; Social space, context, location of writing; Social signs, cues, codes imbued within the material forms of texts; Ownership and the social practices of reading: marginalia, libraries, environments of reading and reception; Codicology, palaeography and critical bibliography; Production, transmission, distribution and circulation; Archiving and the archaeology of knowledge; Orality and oral culture; The material text as object or thing. Proposals should take the form of either 1) a preliminary letter of inquiry, briefly describing the project; or 2) a formal prospectus including: abstract, brief statement of your critical methodology, table of contents, sample chapter, estimate of length, estimate of the number and type of illustrations to be included, and a c.v. Please send a copy of either type of proposal to each of the two series editors and to the publisher: Dr James Daybell, james.daybell@plymouth.ac.uk; Dr Adam Smyth, adam.smyth@bbk.ac.uk Erika Gaffney, Publisher, egaffney@ashgate.com. (16/9/10)

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PhD Studentship: Digital Resource of Anglo-Saxon Palaeography
The Centre for Computing in the Humanities, King's College London, is pleased to announce a PhD studentship in digital methods in palaeography funded by a European Research Council project, the 'Digital Resource of Palaeography, Manuscripts and Diplomatic'. The studentship is to be held in CCH as part of a PhD in Digital Humanities.

Context
The aim of Digital Resource of Palaeography is to bringing the methods and resources of digital humanities to bear on palaeographical exploration, citation and teaching of late Anglo-Saxon script. It involves a web resource which will allow scholars to rapidly retrieve digital images, verbal descriptions, and detailed characterisations of the writing, as well as the text in which it is found and the content and structure of the manuscript or charter. It will incorporate different ways of searching, using images, maps, timelines and image-processing as well as conventional text-based browsing and searching. The palaeographical content will focus on a case-study of vernacular English script from the eleventh century, but the project will allow scholars to test and apply new general developments in palaeographical method which have been discussed in theory but which have hitherto proven difficult or impossible to implement in practice. Some further details of the project are available on the KCL news pages.

The studentship
Applicants should propose a research project which can benefit from and contribute to the Digital Resource in Palaeography project but which remains distinct from it. Possibilities may include the detailed study of a particular manuscript or small group of manuscripts from the corpus of eleventh-century vernacular English script. A comparative study could apply the research methodologies of the ERC project to a different corpus, perhaps focusing on the products of a single scriptorium or scribe, looking at variance and variation in script; or focusing on a corpus (such as manuscript fragments) that has proven difficult to manage with conventional approaches. Another possibility may be more methodological, focusing on the possibilities and limits of Digital Humanities in palaeographical scholarship.

The student will be based at King's College London, in the Centre for Computing in Humanities and will benefit from the CCH PhD Seminar. A second supervisor will be assigned according to the requirements of the project. It is also expected that the student will maintain contact with other departments in KingÕs, such as History or English. The student will also have access to resources and seminars across the University of London more widely, including Senate House Library and its Palaeography Room, the Institute of Historical ResearchÕs seminars and library, and seminars and expertise at the Institute of English Studies.

Value
For the three years of the studentship (starting no later than October 2011) the grant is c. £14,000 per annum. Students liable to pay fees at the overseas rate are welcome to apply, but should make sure that they can cover the difference between the award and the full overseas fee. The studentship must be held full-time.

Eligibility, Timetable & Application Process
Applicants for these awards are expected to begin PhD study on 1 October 2011. Applicants should hold (or have nearly completed) a Master's degree or equivalent in Old English, Anglo-Saxon/early Anglo-Norman history, or another relevant area of medieval studies. A good knowledge of the language(s) of the manuscripts under study is required (Old/Middle English and/or Latin), and a background or demonstrable interest in manuscript studies is highly desirable. Applicants must submit the following documentation by the deadline of 1 March 2011:
1. An Admissions Application form & all supporting documents - submitted to the Centre for Arts & Sciences Admissions (CASA) via the online admissions portal at
www.kcl.ac.uk/graduate/apply/
2. A one page statement of interest including a description of the proposed research, submitted to peter.stokes@kcl.ac.uk
3. A one-page statement of your research training, background and suitability to the project, submitted to peter.stokes@kcl.ac.uk
4. A sample of written work (3000-5000 words), submitted to peter.stokes@kcl.ac.uk
An interview will be arranged with shortlisted applicants, either face to face or by teleconference, after the closing date.

Enquiries
Please email Dr Peter Stokes or telephone him on +44 (0)20 7848 2813 in the first instance with any queries about this studentship. (7/2/11)

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Five Fully-Funded, University of Plymouth, Faculty of Arts Postgraduate Research Studentships 2011 The Faculty of Arts, comprising the Schools of Architecture, Design and Environment; Art and Media; Humanities and Performing Arts seek to award FIVE fully funded full time research studentships. The studentships, funded for 3 years, cover Home/EU tuition fees and stipend in line with RCUK levels. Non Home/EU students are eligible to apply but, if successful, will have to fund the difference between Home/EU and International fees. We welcome proposals from well qualified applicants in the areas of: English, Creative Writing, History, Art History, Music and Theatre and Performance,and are particularly interested in applications focussing on aspects of early modern manuscript and print culture, Renaissance letter-writing, History of the Book, as well as sixteenth and seventeenth century social, cultural, political and religious history. For informal discussions please contact Professor James Daybell, james.daybell@plymouth.ac.uk. For more information about the Humanities, Music and Performing Arts Research Centre please follow this link http://www.plymouth.ac.uk/pages/view.asp?page=28603 (2/5/11)

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Folger Institute course autumn 2011 Jeffrey Masten (Northwestern University) will direct a semester-length seminar in fall 2011 at the Folger Institute, Washington DC, on 'Editing and its Futures.' Please visit www.folger.edu/institute for the seminar's description and application information. (16/5/11)

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Book History Postgraduate Network

The Book History Postgraduate Network as established in 1998 by the former Book Trade History Group in co-operation with the Institute for English Studies at the University of London.

The aims of the Network are:

The Network has its own website: http://www.tcd.ie/CISS/bhrn/index.php.

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