MUSIC & REPRESENTATION
26 March 2010
2.00pm-3.45pm Registration
3.45pm-4.00pm Opening remarks
4.00pm-5.30pm Session 1
Chair: Anna Stirr (Oxford)
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Hermann Danuser (Humboldt Universität): On Music’s Self-Representation |
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Christopher Doll (Rutgers): Representations of Early Rock’n’Roll in Post-Sixties Popular Music |
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Suzannah Clark (Harvard): Music as Geometry |
5.30pm-5.45pm Break
5.45pm-7.15pm Keynote address
Chair: Daniel Grimley (Oxford)
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Richard Taruskin (University of California at Berkeley): What Else? |
27 March 2010
9.30am
-11.00am Session 2
Chair: Martin Stokes (Oxford)
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Matthew Gelbart (Fordham): Layers of Representation in Nineteenth-Century Genres: The Case of One Brahms Ballade |
| Rachel Beckles Willson (Royal Holloway): Twisting the Representation of Western Music |
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W. Anthony Sheppard (Williams): The Persistence and Parody of Orientalism in Recent Opera and Operatic Production |
11.00am-11.30am Break
11.30am-1.00pm Session 3
Chair: John Deathridge (King's College London)
| Karol Berger (Stanford): Der Dichter spricht: Self-Representation in Parsifal |
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Laurence Dreyfus (Oxford): Allusive Representations: Homoerotics in Wagner's Tristan |
| Lydia Goehr (Columbia): Ekphrastic Displacements: Saying and Showing in the Contest of the Arts |
1.00pm-3.00pm Lunch
3.00pm-4.30pm Session 4
Chair: Anthony Newcomb (Berkeley)
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Eric Clarke (Oxford): Musical Meaning Without Representation |
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Michael Spitzer (Durham): Representing Musical Emotion |
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Alison Denham (Oxford): When the Feeling Has Gone: Amusia and the Experience of Musical Meaning |
4.30pm-5.00pm Break
5.00pm-6.30pm Session 5
Chair: Katerina Levidou (Oxford)
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Marina Frolova-Walker (Cambridge): ‘Music is Something Obscure’: Textless Soviet Works and Their Phantom Programs |
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Giorgio Biancorosso (University of Hong Kong): The Transparency of Film Music or, ‘What is it Like to be a Shark’? |
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Walter Frisch (Columbia): Appreciating Arlen |
7:30pm Dinner
28 March 2010
9.30am-11.00am Session 6
Chair: Roger Allen (Oxford)
| Davinia Caddy (University of Auckland): Nijinsky's Faune Revisited |
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Nicholas Cook (Cambridge): Performances Representing and Representing Performances |
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Roger Parker (King’s College London): Musical Meanings in 1830s London |
11.00am-11.30am Break
11.30am-1.00pm Session 7
Chair: Peter Franklin(Oxford)
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Simon Shaw-Miller (Birkbeck): Art Representing Music |
| Daniel Grimley (Oxford): Funen Dreams: Carl Nielsen and the Idea of Landscape |
| Thomas Grey (Stanford): 'On Wings of Song': Representing Music as Agency in Nineteenth-Century Culture |
1.00pm-1.15pm Closing remarks
© MUSIC & REPRESENTATION, UNIVERSITY OF OXFORD.
All rights reserved. Revised September 19, 2009