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‘Words Unwrapped and the Cardinal: An Unusual Portrait
of Thomas Wolsey’,
Christ
Church Library Newsletter
(Vol.6, Issue 3, Trinity 2010), 23-26.
‘Preserving the Past : Remmelin’s Catoptrum
Microcosmicum’, interview with paper conservator Victoria Stevens,
Christ Church Library Newsletter (Vol.6, Issue 2, Hilary 2010),
26-28.
‘The Transformation of a Library’, part 1 and 2,
Christ Church Library Newsletter (Vol.5, Issue 3, Trinity 2009 and
Vol.6, Issue 1, Michaelmas 2009), 27-28 and 22-24.
‘
The “Processus sub Forma Missae” and Nicolaus
Olahus’, Studi Umanistici Piceni XXIX (Istituto Internazionale di
Studi Piceni Sassoferrato, 2009), 387-395.
Ignace Bossuyt, Nele Gabriëls, Dirk Sacré and Demmy
Verbeke, eds., ‘“Cui dono lepidum novum libellum?” Dedicating Latin
Works and Motets in the Sixteenth Century', book review in
Renaissance
Quarterly (LXII, 2:2009), 488-489.
‘Reading
Between the Lines: A Micrographic Portrait of King Charles I’,
Christ
Church Library Newsletter
(Vol.5, Issue 3, Trinity 2009), 20-22.
‘Maps of the Mind: Giordano Bruno’s Approach to
Illustration’, Christ Church Library Newsletter (Vol.5, Issue 2,
Hilary 2009), 13-17.
‘Reading Copernicus: Giordano Bruno’s Lectures at Oxford’,
Christ Church Library Newsletter
(Vol.5, Issue 1, Michaelmas 2008), 8-13.
‘The
Case of the Lost Torah’,
Christ
Church Library Newsletter
(Vol.4, Issue 3, Trinity 2008), 4-5.
‘Dating
Wolsey’s Lectionaries’, Christ Church Library Newsletter (Vol.4, Issue
2, Hilary 2008), 1-5.
'The Hungaria-Athila: Nicolaus Olahus’s formula of the orbis
loca and orbis gesta’, Acta Conventus Neo-Latini Bonnensis :
Proceedings of the Twelfth International Congress of Neo-Latin
Studies, Bonn,
3-9 August 2003 (Tempe:
Arizona Center for Medieval and Renaissance Studies, 2006), 619-629.
A.S.Q. Visser, Joannes Sambucus and the Learned Image: The Use of
the Emblem in Late-Renaissance Humanism', book review in Renaissance Quarterly (LIX, 1:2006),
215-216.
'Munci şi zile la Oxford: Cristina Neagu în dialog cu Robert
Lazu' [Works and Days at Oxford : Cristina Neagu in dialogue with
Robert Lazu], Adevărul literar şi artistic (Bucureşti: 1
November: 2005), 8-9.
'Secretul din faţa ochilor' [The secret in front of our eyes], Adevărul literar şi artistic (Bucureşti: 1
November: 2005), 15.
‘Tradiţie şi modalităţi de interpretare în Romeo şi Julieta’
[Tradition and means of interpretation in Romeo and Juliet], Vatra
1-2 (2002), 79-88.
‘Translation and the Theme of Love – Sacred and Profane’,
International Notebook of Poetry 3 (Norcross, GA: LiterArt XXI,
2002), 216-227..
‘Echoes of the classics and the rhetoric of praise in Nicolaus
Olahus’ elegiac verse’, International Notebook of Poetry 2
(Norcross, GA: LiterArt XXI, 2001), 41-54.
‘”Processus sub Forma Missae” and Nicolaus Olahus’, Colloquia –
Journal of Central European History, V-VII (1998-2000), 43-53.
'Nicolaus Olahus, the Jesuits and the rhetoric of the ars
epistolandi', Archaeus (Études d'histoire des religions), IV
(2000), fasc.3, 1-8.
'The "Processus sub Forma Missae": Christian alchemy, identity and
identification, Archaeus (Études d'histoire des religions),
IV (2000), fasc.1-2, 105-118.
'Capela Sixtină şi culoarea paradisului la Michelangelo' [The
Sistine Chapel and the colour of Paradise in Michelangelo's
painting], Altarul Banatului 1-3 (Timişoara: 2000), 155-160.
'Mit şi licenţă poetică în "The Man Who Died" de D.H.Lawrence'
[Myth and poetic licence in "The Man Who Died" by D.H. Lawrence],
Vatra 6 (Târgu Mureş: 1999), 51-53.
'T.S. Eliot: "Murder in the Cathedral". Drama poetică şi modelul
liturgic' [T.S. Eliot: "Murder in the Cathedral". The poetic
theatre and the model of the liturgy], Altarul Banatului 7-9
(Timişoara: 1998), 66-70.
'Vaticanul vizibil, cetatea ascunsă şi alchimia culorilor:
Basilica' [The visible Vatican, the hidden palace and the alchemy
of colour: St.Peter's basilica], Altarul Banatului 12 (Timişoara:
1997), 179-181
Costello, Tom (ed.), International Literature on Film (London:
Bowker-Saur, 1994).(contribution "Romanian Literature on Film").
'Un bizar teatru catoptric şi personajele lui închipuite în
"Through the Looking Glass" de Lewis Carroll [A bizarre catoptric
theatre and its imagined characters in Through the Looking Glass
by Lewis Carroll], Secolul 20 352-354 (Bucureşti:1993), 79-84.
'Simbolismul apei şi al lumii vegetale în "Hamlet". [The symbolism
of water and the vegetable world in Hamlet], Transilvania 8
(Sibiu: 1990), 34-36.
'Un semnal de alarmă: greva foamei pentru o cinematografie
autonomă' [A cry of alarm: hunger strike for an autonomous
cinema], Film 4-5, March (Bucureşti: 1990), 4.
'Arhiva Naţională de Filme în stare de necesitate' [The National
Film Archive in a state of crisis], 22, 3 February (Bucureşti:
Grupul pentru Dialog Social, 1990), 14.
'Ne-iubirea de aur' [Beyond the love of gold], Almanah Cinema
(Bucureşti: 1989), 29-31.
'Enigmă şi cunoaştere' [Mystery and knowledge], România literară
8, 10 March (Bucureşti: 1989), 7.
'"Iacob" şi ne-iubirea de aur'. ["Jacob": Beyond the love of
gold], film review of Jacob by Mircea Daneliuc, Transilvania 8
(Sibiu: 1988), 53-55.
'Enigma semnului arab în "Sărmanul Dionis" de Mihai Eminescu' [The
mystery of the arabian sign in "Sărmanul Dionis" by Mihai
Eminescu], Caietele Eminescu VII (Iaşi: Universitatea Al.I.Cuza,
1986), 184-196.
'Motivul florii de aur în "Avatarii faraonului Tla" şi în "Romeo
ăi Julieta"' [The motif of the golden flower in "Avatarii
faraonului Tla" and in Romeo and Juliet], Caietele Eminescu VI
(Iaşi: Universitatea Al.I.Cuza, 1985), 227-235, & Transilvania 1
(Sibiu: 1987), 25-28.
'Simboluri şi motive iniţiatice în "Fat Frumos din lacrimă" şi în
legendele Graalului' [Symbols and initiation rites in "Făt Frumos
din lacrimă" and the Grail Legends], Caietele Eminescu V (Iaşi:
Universitatea Al.I.Cuza, 1984) 353-366, & Transilvania 1 (Sibiu:
1985), 17-20.
'Insula ca hiperspaţiu în "Cezara" de Mihai Eminescu şi în
"Furtuna" de William Shakespeare' [The island as hyperspace in
"Cezara" by Mihai Eminescu and in The Tempest by William
Shakespeare], Transilvania 1 (Sibiu: 1986), 24-26.
Dissertations
‘The Carmina of Nicolaus Olahus in the Context of His Literary
Career’ (D.Phil: University of Oxford, 2000).
'Illustration from Manuscript to Print : 15th and 16th century
Books of Hours in the Bodleian Library’ (M.Sc:University of
Central England in Birmingham, 2000).
Websites (... other than this)
Greyfriars Oxford Centre for Franciscan Studies (2009-2012)
Christ Church College - Library and Archives
(www.chch.ox.ac.uk/library)
Oxford College Archives
(www.oxfordarchives.org.uk) (2006-2014)
PhotoPoetry -
Tom Costello modern art collection
(www.tomcostellocollection.com)
Chantry Library - Institute of Paper Conservation (2002-2004)
Worcester College Library (2000) |
